Hong Jin-kyung Face Reading: A Long Face and a Horizontal Mouth

The central theme of this profile of Hong Jin-kyung is a long face and a horizontal mouth. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The vertically long face extends gently to the chin. The length of the lower face is more noticeable than the width of the cheeks.

Even within the large oval frame, the width of the cheekbones and chin are not the same. If you follow the speed from the widest part of the face down to the tip of the chin, you can see changes in the outline that are not revealed by length alone.

Step 2: Forehead — Between the Hairline and Brows

The short bangs cover the forehead and the hairline is not visible.

In compositions where the forehead is exposed, you can see a wide area extending from the hairline to the eyebrows. Comparing the direction of the upper curve and the lower eyebrows makes it clear what lines surround the upper part of the face.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Hong Jin-kyung in January 2026 · TV10 · CC BY 4.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The eyes are horizontally long and the lower eyelids rise when smiling.

In photos with facial expressions, the vertical width of the eyes and the height of the cheeks below the eyes change. If you look at the curve of the lower eyelid rather than just looking at one point at the corner of the eye, you can read the movement of the center of the face more specifically.

Step 4: Eyebrows — The Lines Above the Eyes

Some low, gentle eyebrows are revealed under the bangs.

The visible eyebrow pieces were not drawn to form the full eyebrow shape. If you look at the direction of the confirmed line and the gap between the eyes, you can distinguish between the border of hair or props and the actual eyebrows.

Step 5: Nose — The Central Line and Depth

The bridge of the nose is long and relatively straight, and the tip is round.

The long bridge of the nose creates a central line that extends from between the eyes to above the lips. Comparing the narrow width of the bridge of the nose and the rounded surface of the tip, the parts that appear as lines and the parts that appear as surfaces can be distinguished within the same nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The mouth widens with a smile and the upper teeth are visible. The horizontal line of the mouth contrasts with the long face.

Jawline and Chin

The jawline gathers gently and the tip of the chin is rounded with some length remaining.

When the mouth opens or the corners of the mouth rise, the width of the mouth and the space left up to the chin also change. If you look at the raised position of the cheeks and the tip of the chin together rather than just the lips, you can see the process by which a smile changes the ratio of the lower jaw.

Step 7: Overall Balance — A Long Face and a Horizontal Mouth

In Hong Jin-kyung's long face, the vertical length of the lower face contrasts with the horizontal width of the smiling mouth. If you look at the eyes under the bangs and the widened mouth together, the horizontal line created by the facial expression within the long outline becomes clear.

Hong Jin-kyung's Facial Features at a Glance

• Face shape: A vertically long face that gently extends to the chin.
• Eyes: The eyes are long horizontally and the lower eyelids rise when smiling.
• Chin: The jawline gathers gently and the tip of the chin is rounded with some length remaining.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05