Hong Seok-cheon Face Reading: The Curve of the Head and Angular Glasses

The central theme of this profile of Hong Seok-cheon is the curve of the head and angular glasses. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

It is a long outline that narrows from the cheekbones to the chin. In a face turned sideways, the cheek plane and the angle of the chin are distinct.

In this composition, the border from one cheek to the chin is clearly revealed rather than the width of both sides of the face. By connecting the outer line of the cheekbones and the bending point of the chin, you can distinguish between the width of the face and the depth of the sides.

Step 2: Forehead — Between the Hairline and Brows

The round curve of the forehead and head is connected without hair, revealing the entire upper contour.

In compositions where the forehead is exposed, you can see a wide area extending from the hairline to the eyebrows. Comparing the direction of the upper curve and the lower eyebrows makes it clear what lines surround the upper part of the face.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Hong Seok-cheon, 2025 · The Korea Times · CC BY 3.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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Horizontally long eyes are visible through angled glasses. The frames of the glasses overlap some of the edges of the eyes.

The circles or straight lines on the glasses frame overlap the actual outline of the eyes. You can examine the horizontal direction of the eye by following only the exposed eyelids and outer corners of the eyes, excluding the frames, but it is difficult to measure the size beyond the lens in precise proportions.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are relatively light and low, and are placed close to the upper frame of the glasses.

The low eyebrows can be compared side by side with the horizontal line of the eyes. Looking at where the eyebrows start and end and how thin they become at the ends reveals the relationship between the two overlapping lines at the top.

Step 5: Nose — The Central Line and Depth

The bridge of the nose is straight and the tip of the nose protrudes roundly.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The horizontal lines of the closed mouth are clear, and a small curved surface remains in the center of the lower lip.

Jawline and Chin

It passes through the angle of the lower jaw and gathers at the tip of the small chin. The border with the neck is clear.

In a closed mouth, the curve in the center of the upper lip and the curved surface of the lower lip can be examined separately. Comparing the horizontal width of the lips to the width of the tip of the chin reveals how small lines and large outlines are placed within the lower face.

Step 7: Overall Balance — The Curve of the Head and Angular Glasses

Hong Seok-cheon's exposed forehead continues to show the curves of the upper part of the face. If you look at the lines around the eyes and the vertical direction leading to the nose and chin, you can distinguish between the broad surface at the top and the details in the center.

Hong Seok-cheon's Facial Features at a Glance

• Face shape: Long outline tapering from the cheekbones to the chin.
• Eyes: Horizontally long eyes are visible behind angled glasses.
• Chin: passes through the angle of the lower jaw and gathers at the tip of the small chin.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05