Jeon In-hwa Face Reading: An Open Forehead and a Soft Oval Face

The central theme of this profile of Jeon In-hwa is an open forehead and a soft oval face. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

It has an oval shape that gradually narrows from the cheek to the chin. The cheekbones on one side of the turned face are more visible.

Even within the large oval frame, the width of the cheekbones and chin are not the same. If you follow the speed from the widest part of the face down to the tip of the chin, you can see changes in the outline that are not revealed by length alone.

Step 2: Forehead — Between the Hairline and Brows

The head is raised, exposing a large forehead and showing a round hairline.

In compositions where the forehead is exposed, you can see a wide area extending from the hairline to the eyebrows. Comparing the direction of the upper curve and the lower eyebrows makes it clear what lines surround the upper part of the face.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Jeon In-hwa at the 2010 KBS Drama Acting Awards 699 · KIYOUNG KIM · CC BY 2.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The eyes are long horizontally, and the curves under the eyes rise as the person smiles.

In photos with facial expressions, the vertical width of the eyes and the height of the cheeks below the eyes change. If you look at the curve of the lower eyelid rather than just looking at one point at the corner of the eye, you can read the movement of the center of the face more specifically.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are long and fall gently from the outside.

Eyebrows can be examined by distinguishing between the density of color and the curve of the line. By comparing the inner thickness and the direction of the outer edge with the eyelid line, you can see how the outline surrounding the eye is formed.

Step 5: Nose — The Central Line and Depth

The vertical line of the bridge of the nose and the round tip of the nose are revealed at an oblique angle.

From this angle, both the length of the bridge of the nose and the degree to which the tip of the nose is brought forward are visible. The line where the bright side meets the shadow is also affected by lighting, so you can see the boundary between light and dark and the actual outer outline.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The corners of the closed mouth rise to form a small smile.

Jawline and Chin

The jaw line comes together smoothly, leaving a rounded shape at the tip of the small chin.

When the mouth opens or the corners of the mouth rise, the width of the mouth and the space left up to the chin also change. If you look at the raised position of the cheeks and the tip of the chin together rather than just the lips, you can see the process by which a smile changes the ratio of the lower jaw.

Step 7: Overall Balance — An Open Forehead and a Soft Oval Face

In Jeon In-hwa's photo, the curve of the cheek and the outline leading to the lower face create a single flow. Due to the shooting distance, small lines are less clear, but changes in the positions of the eyes and mouth and the width of the outline of the face can be read in large format.

Jeon In-hwa's Facial Features at a Glance

• Face shape: Oval shape that gradually narrows from the cheeks to the chin.
• Eyes: The eyes are long horizontally, and the curve below the eyes rises as the smile occurs.
• Chin: The jaw line comes together smoothly, leaving a rounded shape at the tip of the small chin.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05