Jo Kwon Face Reading: A Tapered Jaw and a Wide Smile

The central theme of this profile of Jo Kwon is a tapered jaw and a wide smile. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The exposed face is long vertically and narrows towards the chin. The remaining width on the cheeks and cheeks contrasts with the small tip of the chin.

Even within the large oval frame, the width of the cheekbones and chin are not the same. If you follow the speed from the widest part of the face down to the tip of the chin, you can see changes in the outline that are not revealed by length alone.

Step 2: Forehead — Between the Hairline and Brows

The bangs are raised and the center of the forehead is open. The hairline on both sides circles the forehead.

You should look at the shape of the exposed part of the forehead and the hair on both sides. Since the parting and bangs are the lines that divide the upper margin, there is no need to immediately interpret the asymmetry seen in the photo as asymmetry of the forehead itself.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Jo Kwon in Jan 2015 · acrofan.com · CC BY-SA 3.0 · ACROFAN · Resizing/Converting to WebP, adding margins to covers and thumbnails · CC BY-SA 3.0 also applies to the converted version of this photo.

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When smiling, the eyes narrow and the corners of the eyes fold. Because this is a distant photo, the fine lines on the eyelids are blurred.

In photos with facial expressions, the vertical width of the eyes and the height of the cheeks below the eyes change. If you look at the curve of the lower eyelid rather than just looking at one point at the corner of the eye, you can read the movement of the center of the face more specifically.

Step 4: Eyebrows — The Lines Above the Eyes

Dark eyebrows lie horizontally over the eyes. Depending on the facial expression, the gap between the eyebrows and eyes appears a little wider.

Eyebrows can be examined by distinguishing between the density of color and the curve of the line. By comparing the inner thickness and the direction of the outer edge with the eyelid line, you can see how the outline surrounding the eye is formed.

Step 5: Nose — The Central Line and Depth

From the front, the bridge of the nose runs along the center. The tip of the nose is small and round and connected to the nostrils.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

When you smile, your mouth widens horizontally and your upper teeth are visible. The rise of the corners of the mouth creates the curve of the cheeks.

Jawline and Chin

The lower jaw gathers inward to form a relatively small chin. The neck is exposed and the bottom outline is clearly defined.

When the mouth opens or the corners of the mouth rise, the width of the mouth and the space left up to the chin also change. If you look at the raised position of the cheeks and the tip of the chin together rather than just the lips, you can see the process by which a smile changes the ratio of the lower jaw.

Step 7: Overall Balance — A Tapered Jaw and a Wide Smile

In the case of Jo Kwon, the section where the curve of the cheeks changes to a narrow chin is noticeable. The expression around the eyes and the shape of the mouth are placed on this small lower face, creating different directions between the change in the width of the outline and the facial features in the center.

Jo Kwon's Facial Features at a Glance

• Face shape: The exposed face is long vertically and narrows towards the chin.
• Eyes: When smiling, the eyes narrow and the corners of the eyes fold.
• Chin: The lower jaw gathers inward to form a relatively small chin.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05