Jung Il-woo Face Reading: A Long Oval Face and Raised Mouth Corners

The central theme of this profile of Jung Il-woo is a long oval face and raised mouth corners. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The long oval that leaves the width of the cheek becomes narrower as it goes down. The moment you smile, the area under your cheekbones becomes widely exposed.

When looking at horizontal width, you can divide it into the width of the cheekbone height and the width of the lower jaw height. Whether the wide side of the cheek extends to the lower face or suddenly decreases at the chin is a criterion for distinguishing the shape of the outline.

Step 2: Forehead — Between the Hairline and Brows

Parted bangs partially cover the forehead. The open space in the center and the border of hair on both sides are visible.

You should look at the shape of the exposed part of the forehead and the hair on both sides. Since the parting and bangs are the lines that divide the upper margin, there is no need to immediately interpret the asymmetry seen in the photo as asymmetry of the forehead itself.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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Photo: Jung Il-woo in May 2021 · dramax iHQ · CC BY 3.0 · Resizing/Converting to WebP, adding margins to covers and thumbnails

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The inside and outside of the eye are long and connected. When you smile, the lower eyelids rise and the vertical width of the eyes decreases.

In photos with facial expressions, the vertical width of the eyes and the height of the cheeks below the eyes change. If you look at the curve of the lower eyelid rather than just looking at one point at the corner of the eye, you can read the movement of the center of the face more specifically.

Step 4: Eyebrows — The Lines Above the Eyes

The eyebrows are long and have a gentle curve. The horizontal direction above the eyes is revealed even under the bangs.

Eyebrows can be examined by distinguishing between the density of color and the curve of the line. By comparing the inner thickness and the direction of the outer edge with the eyelid line, you can see how the outline surrounding the eye is formed.

Step 5: Nose — The Central Line and Depth

The bridge of the nose is relatively straight and the tip is round. A small shadow below the tip of the nose demarcates the outline.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The width of the mouth widens with a smile that exposes the upper teeth. The corners of the mouth rise and the shape of the cheeks also changes.

Jawline and Chin

The lower jaw smoothly narrows to a round chin tip. The line under the chin appears separate from the neck.

When the mouth opens or the corners of the mouth rise, the width of the mouth and the space left up to the chin also change. If you look at the raised position of the cheeks and the tip of the chin together rather than just the lips, you can see the process by which a smile changes the ratio of the lower jaw.

Step 7: Overall Balance — A Long Oval Face and Raised Mouth Corners

Jung Il-woo's long facial frame is read with an outline that narrows toward the chin. If you overlay the horizontal direction of the eyes and mouth on the vertical line of the long bridge of the nose, the length of the face and the width of the expression play different roles.

Jung Il-woo's Facial Features at a Glance

• Face shape: The long oval shape that leaves the width of the cheeks becomes narrower toward the bottom.
• Eyes: The inside and outside of the eyes are elongated.
• Chin: The lower jaw smoothly narrows to a round chin tip.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05