Lee Seung-gi Face Reading: Thick Brows and a Small Chin

The central theme of this profile of Lee Seung-gi is thick brows and a small chin. We examine the visible contours and placement of the features in seven steps, starting with the overall face shape and ending with how its lines and surfaces fit together.

Step 1: Face Shape — The Outline of the Cheeks and Jaw

The width of the cheekbones and cheeks extends to the narrow chin. The angle of lowering the head makes the lower abdomen look smaller.

Even within the large oval frame, the width of the cheekbones and chin are not the same. If you follow the speed from the widest part of the face down to the tip of the chin, you can see changes in the outline that are not revealed by length alone.

Step 2: Forehead — Between the Hairline and Brows

A little bit of the center of the forehead is revealed between the bangs.

In compositions where the forehead is exposed, you can see a wide area extending from the hairline to the eyebrows. Comparing the direction of the upper curve and the lower eyebrows makes it clear what lines surround the upper part of the face.

Step 3: Eyes — Eyelid Curves and Horizontal Length

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The eyes are horizontally long and the line of the upper eyelid is clear. The front sight is directed toward the center of the photo.

The shape of the eye can be better revealed by dividing it into the horizontal length and vertical opening. The curve of the upper eyelid, the lower border, and the area that tapers to the corner of the eye combine to form a single outline.

Step 4: Eyebrows — The Lines Above the Eyes

The dark eyebrows are set low and extend outwards.

The low eyebrows can be compared side by side with the horizontal line of the eyes. Looking at where the eyebrows start and end and how thin they become at the ends reveals the relationship between the two overlapping lines at the top.

Step 5: Nose — The Central Line and Depth

The bridge of the nose falls straight and the tip of the nose is round.

The tip of the nose and both nostrils are areas where small curved surfaces are gathered. If you look at the widening border on both sides instead of just looking at the bright side in the center, you can see the width that changes from the bridge of the nose to the bottom of the nose.

Step 6: Mouth and Chin — Expression and the Lower Face

Lips and Mouth Corners

The ends of the closed mouth are raised, and the center of the lower lip appears plump.

Jawline and Chin

The jawline is thin, but the end is rounded.

In a closed mouth, the curve in the center of the upper lip and the curved surface of the lower lip can be examined separately. Comparing the horizontal width of the lips to the width of the tip of the chin reveals how small lines and large outlines are placed within the lower face.

Step 7: Overall Balance — Thick Brows and a Small Chin

Lee Seung-gi's thick, low eyebrows can be compared with the small, gathered chin. Since the angle at which the head is lowered makes the lower face look smaller, the small rise in the corner of the mouth and the change in the width of the outer face can be examined separately.

Lee Seung-gi's Facial Features at a Glance

• Face shape: The width of the cheekbones and cheeks extends to a narrow chin.
• Eyes: The eyes are horizontally long and the line of the upper eyelid is clear.
• Chin: The jawline is thin but has a rounded end.

Together, these features show how the face's outer contour relates to the eyes and lower face. Looking at the connections between lines and surfaces helps explain the overall balance visible in this photograph.

Source for the introduction · Checked 2026-10-05